
1) “I have seen a fantastic home theatre installation with the L & R front speakers on either side a solid screen and centre speaker being below.”
2) “I am a videophile; I don’t want anything but a perfect image. This can only be achieved with a solid screen”
3)“Acoustically Transparent screens are too expansive when compared to solid screens.”
4)“In most recording studios, the control monitors are used without front grille as the sound quality is critical. I want the best possible sound, and I don’t want to spoil it with a screen in front of the speakers”
5)“There is no point in making all that fuss about the location of the centre speaker, as long as the main speakers (Left and Right) are properly located on each side of the screen, in a good acoustical environment.”
Image by courtesy of Beyond the Invisible

1) All commercial theatres use an Acoustically Transparent screen with three front loudspeakers placed behind it. All cinematic studios monitor loudspeakers are installed the same way. The sound is recorded as it is intended to be played back.
2) When you see the image of an actor speaking on the screen, you expect the sound to come from the actors’ mouth, not from somewhere below or above the screen.
The whole theatrical experience relies on the “suspension of disbelief”. Sight and hearing are, for most of us, reliable perceptions. Displaying a visual image coincident with the corresponding sound has a tremendous power to create the illusion of reality.
If the sound and the image are not merged together both in time (lip-sync) and in space (speaker location) this illusion is broken.
Since the early days of talking movies the cinema industry has used Acoustically Transparent screens to give the best illusion and involvement.
3) When the image of a sounding object is travelling from, say, left to right of the screen, the sound is supposed to follow the same path.

Here (above) is what is supposed to happen, and how the sound engineer designed it.
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And there (below) is what actually happens with a solid screen:When the sound source crosses the screen, it dips as it nears the centre instead of faithfully following the path of the source.
This effect is quite funny (even ludicrous !), but it inevitably makes you lose the illusion of reality:
You immediately realize that you are not in the action, but watching a movie played back by a system that has its (serious) inherent flaws.
4) Acoustically transparent screens allow you to place the centre channel at ear level and to get the best fidelity avoiding nasty short path-length reflections.
5) Just think it’s one or three less loudspeaker(s) for your wife/girlfriend/interior designer to ’admire’ !
A good dealer or installer should be able to organize this test for comparison.
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